The Masters Africa Can Still Afford
Ayo Adeyinka left finance to deal in modern African art. As his gallery takes Lamidi Fakeye to Frieze Masters, he makes a case for buying the continent’s masters while they remain within reach, and giving their work a life beyond private collections.
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Features
Reported essays and long reads on African fashion, art, and design.
Yemi Alade, In Her Own Name
With the release of her self-titled album, the artist speaks on the evolution of her artistry, the industry that shaped her, the future ahead, and what it means to simply be Yemi Alade.
Holy Dress Codes: What Comes to Mind When You See the Garment?
Stephen Tayo's photographs of Nigeria's Aladura communities look beyond the visual codes of white garments and religious devotion, examining how faith is observed, interpreted and sometimes distorted through the eyes of others.
Before Arthur Ashe Was a Stadium, He Was a Problem for Apartheid
At the US Open, Ashe is a stadium. In South Africa, he was a test: could a Black champion open doors inside apartheid, or would his presence help legitimise the regime? The African activists who had fought that battle for years changed his answer.
The value system in Nigeria, in Africa, for our creatives… is very low, if not close to zero.
The Guzangs Report
What it takes to keep the value.
This quarter: the run clubs, factories and funding deals behind African creative work, and whether the money actually reaches the people making it.
Guzangs Presents
The Season
- 15 to 18 October 20261-54 Contemporary African Art Fair, London
- 18 to 25 October 2026Design Week Lagos
- 23 to 25 October 2026AKAA, Paris
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African fashion, art, and design, and the people behind it. Reported properly, and worth your time.
What pictures know.
Culture, Art & Design
Inheritance and invention across the continent: the makers, ideas, and objects shaping how Africa looks, builds, and gathers.
