Who Gets to Write the Future of Fashion?
The mopani worm is one of Southern Africa’s most familiar delicacies. It is also, at the end of this month in Cape Town, the name attached to a silk, one of a slate of materials asking whether the continent’s next fibre industry is already here: in its rivers, farmlands and forests, in leathers tanned from […]
After the Applause: Heritage Textiles and the Economics of the Runway Moment
Florentina Agu went back to the wood carving workshops she had visited as a child, and many of the artisans her family had once worked with were dead. The ones still alive were in difficult circumstances. Agu’s father had run a wood carving studio in Nigeria that produced parquet flooring and carved objects for sale […]
Nigerian Women Are Dressing Against the Code
Two decades ago, Y2K marked one of the most expressive moments in Nigerian fashion, shaped by the rise of internet culture and the influence of Nollywood. Visibility, then, felt intentional and confident rather than excessive. A version of that sensibility has returned, carried by a generation that dresses for how it wants to feel rather […]
Architecture Learns to Play
A tennis court is already a diagram, with its rectangle and net and service boxes laid out in white before anyone arrives, and Backyard Community Club, the new tennis facility that DeRoche Projects has just completed in the dense Accra neighbourhood of Osu, takes that familiar diagram and complicates it in ways that turn out […]
Cotonou Knows Exactly What It’s Doing
Cotonou Knows Exactly What It’s Doing Amazone Statue, Cotonou, Benin. Photo: Présidence du Bénin. Every West African knows Cotonou, whether or not they have ever stopped to think about why. The auntie who goes for fabric knows it. The trader who crosses the border from Nigeria knows it. The goods that show up in Lagos […]
Before Rio, There Was Luanda
Samba, the Rhythm That Refused to Stay Still
Inside Central Saint Martins’ Makers Camp: West African Makers in Focus
For two weeks, the conservatory room of Mason & Fifth became an experimental studio of collective making.
Why the Wrapper Remains West Africa’s Undecolonized Garment
The wrapper predates colonial borders and outlives fashion cycles. It is one of the continent’s most enduring systems, and one of the few
The Blues That Never Left Africa
When Ali Farka Touré first heard John Lee Hooker’s records in the 1960s, the
Ntufi ya Ntaba, Aton Tsiba on Ritual, Touch, and a First Film
Aton Tsiba is a fashion designer by trade, but Ntufi ya Ntaba marks his debut as a filmmaker. The two facts