Before Arthur Ashe Was a Stadium, He Was a Problem for Apartheid

The author, TaNeesha Johnson, in front of the colourful 2026 US Open mural by Eugenia Mello at Flushing Meadows.

Every late August in New York, Arthur Ashe becomes a place. More than 23,000 people fill the stadium carrying his name. Players walk through its tunnels, and commentators use the name as geography: Night session at Ashe. Meet me outside Ashe. Fifty-three years ago, another country was trying to keep Arthur Ashe out. South Africa […]

How Lagos Moves

Ugonna-Ora Owoh in a red jacket and red wide-leg trousers on a Lagos kerb, a passer-by blurred in the foreground

There are two words I’ve long used to describe Lagos: beautiful chaos. They may read like an oxymoron, but they are the closest thing the city has to a definition. To understand Lagos, you must first allow that contradiction to settle in your mind. Only then does the city begin to reveal itself, not as […]

The New Stewards of El Fenn

The tree-filled central courtyard of El Fenn, Marrakech, with tiled floors and low seating.

It requires remarkable restraint to be uncharmed by El Fenn. Hidden behind rosy, sun-drenched walls inside the centuries-old medina, the hotel has long existed as one of Marrakech’s defining creative addresses, where the cedar doors and tadelakt walls feel less like a hotel than a private home opened to the world. From the rooftop, the […]

How Nigeria Was Everywhere and Nowhere at the World Cup

Nigerian fans in green Super Eagles jerseys celebrating during the 2026 World Cup

Where the 2026 World Cup rank in recent history is discourse for another time, there’s no doubt that it has uniquely taken its place as a cultural tentpole. A reason for this? The host nations, particularly the United States, which, months before the tournament kicked off, was speculatively doomed because of anti-immigration sentiments, ICE crackdowns, […]

Aṣọ-Òkè: The Cloth We Inherit

Akinola Lasekan's 1957 oil portrait of Chief Justus D. Akeredolu in a red striped aṣọ-òkè agbada, patterned fila cap and coral beads

I am standing before a portrait in Nigerian Modernism, the survey at Tate Modern. It is Akinola Lasekan’s 1957 oil of Justus D. Akeredolu. Lasekan and Akeredolu were both first-generation Nigerian modernists who once shared a studio in Lagos, and Akeredolu is remembered as the pioneer of Yoruba thorn carving, so the painter here is […]

Love Has Become Bad Manners

Eugénie and François Odouffan and a younger couple in the living-room set of Michel Odouffan’s Generational Love

Hasna and Ryan kept giving themselves away, a shoulder leaning in, a collar fixed with a care no collar has ever needed, their bodies doing what bodies do before pride gets involved. Nobody in the room minded that the two of them wanted each other; the discomfort was that the wanting kept showing on their […]