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Aṣọ-Òkè: The Cloth We Inherit

Akinola Lasekan's 1957 oil portrait of Chief Justus D. Akeredolu in a red striped aṣọ-òkè agbada, patterned fila cap and coral beads

I am standing before a portrait in Nigerian Modernism, the survey at Tate Modern. It is Akinola Lasekan’s 1957 oil of Justus D. Akeredolu. Lasekan and Akeredolu were both first-generation Nigerian modernists who once shared a studio in Lagos, and Akeredolu is remembered as the pioneer of Yoruba thorn carving, so the painter here is […]

Love Has Become Bad Manners

Eugénie and François Odouffan and a younger couple in the living-room set of Michel Odouffan’s Generational Love

Hasna and Ryan kept giving themselves away, a shoulder leaning in, a collar fixed with a care no collar has ever needed, their bodies doing what bodies do before pride gets involved. Nobody in the room minded that the two of them wanted each other; the discomfort was that the wanting kept showing on their […]

How Dakar Moves

A woman reclining in a painted wooden fishing pirogue on the Dakar coast, sea cliffs behind her

The Ancien Palais de Justice has no business being as beautiful as it is. It is an abandoned colonial courthouse out on Cap Manuel, the sea right behind it, the concrete going soft at the corners, the kind of building the city has been meaning to deal with for as long as I have been […]

Continental Swagger: African Fashion Design in the 21st Century – Post-Panel Reflections

Continental Swagger: African Fashion Design in the 21st Century – Post-Panel Reflections IMG 7509 2

Yesterday’s Continental Swagger panel, presented by The Met’s Costume Institute, brought together three uncompromising voices — Adeju Thompson (Lagos Space Programme, Nigeria), Wanda Lephoto (South Africa), and Imane Ayissi (Cameroon/France) for an unflinching, deeply personal conversation on heritage, innovation, and the politics of where a designer chooses to stand. Moderated by Monica L. Miller, Guest […]