The Masters Africa Can Still Afford

Ayo Adeyinka left finance to deal in modern African art. As his gallery takes Lamidi Fakeye to Frieze Masters, he makes a case for buying the continent’s masters while they remain within reach, and giving their work a life beyond private collections.
The Seedpod and the Skin

In a small room of white walls and warm wood at Singita Kruger National Park, a set of portraits hangs in quiet succession. The men in them appear faceless. Sculptural masks sit where their features should be, and the bodies beneath are still, set against open sky and water. In one, a figure in velvet […]
Holy Dress Codes: What Comes to Mind When You See the Garment?

There is usually something immediately legible about religious dress codes. When I see a woman in a hijab, a man in a yarmulke, or a Black American Southern Baptist church hat, I have some sense of who they are — their values, their community, their relationship to God, defined largely on their own terms. In […]
Akin Faminu on Style, Taste and the Things He Returns To

Akin Faminu can spend one evening watching a 1999 Dolce & Gabbana show and another reading an anatomy textbook from cover to cover. The medical doctor and fashion creator has built a public life around style, but his tastes extend well beyond clothes. For this edition of Word of Mouth, Faminu talks about the designers […]
Five Sudanese Women Artists Make Art From Memories of Home

These Sudanese artists are making art from the memories of home. The first is Stefania Indelicato, a jeweller born in Eritrea and raised in Sudan, whose earliest memories of the Souk of Omdurman were spent accompanying her mother in search of meaningful objects. There is Omeima Mudawi-Rowlings, a textile artist who has spent decades in […]
North African Design and Its Geographies

Above: ALTIN, Our AlUla Trilogy, Wadi. Photograph © Lorenzo Arrigoni The Institut du monde arabe has named twenty-six finalists for the fourth edition of its Design Award, across four juried categories, showing at the IMA from 10 to 20 September with the ceremony held the evening before. A Public Prize, new this year, runs across […]
Adirẹ and the Wrapper-Wearers

My relationship to adirẹ is perhaps an unusual one; it begins not with indigo, but with cassava. In 2024, I returned to Nigeria for a two-month residency with the G.A.S. Foundation to study cassava’s role and cultural significance in the country. It was the longest I had spent in the country since leaving at five […]
If This Then That: Sculpture — John Chamberlain → Gonçalo Mabunda

If you understand why John Chamberlain’s crushed cars matter, you’ll recognize what Gonçalo Mabunda built from the weapons of a war. IF YOU LIKE JOHN CHAMBERLAIN John Chamberlain transformed crushed automobiles into sculpture, showing that industrial scrap could carry the same expressive force as bronze or marble. Rather than erase the material’s past, he preserved […]
In Mwangola, Gelmira Gourgel Exhibits the Music That Fueled Angola’s Independence

Gelmira Gourgel, an Angolan architectural designer and curator, wants people to see Angola in all its depth, not as the country that rarely enters conversations about Africa, but as a nation whose rich cultural traditions, enduring craftsmanship and creative resilience have long shaped the continent’s artistic imagination. In her own words, it is a politically […]
Meriem Berrada Took Morocco to Venice for the First Time

For about a decade and a half, Meriem Berrada has been at the forefront of building sustainable art and cultural ecosystems across Africa and the Arab world and their diasporas, with a focus on the intersections between art and craft in contemporary storytelling, as well as an interest in photography. She has founded, launched, and […]