The Masters Africa Can Still Afford
Ayo Adeyinka left finance to deal in modern African art. As his gallery takes Lamidi Fakeye to Frieze Masters, he makes a case for buying the continent’s masters while they remain within reach, and giving their work a life beyond private collections.
The Commercial Life of African Culture
Ownership, rights and distribution shape who profits from the African creative economy, from wax print and photography to Afrobeats.
The Protocol Is the Border
The download button is easy to find. The condition above it belongs to every person whose voice is inside the file, and it is the easiest thing on the page to miss. DhoNam is a Dholuo speech dataset stewarded by the Maseno Centre for Applied Artificial Intelligence in Kenya and hosted on Mozilla Data Collective. […]
Who Made the Welcome
The lion began with a schoolgirl’s drawing. Ndeye Mariama Diop drew the character selected through a national school competition. A second student, Ndeye Khady Kristall Coumbassa, supplied its name. Together their contributions became Ayo, the mascot of the Dakar 2026 Youth Olympic Games. Senegal’s education authorities credit them both. The ministry reports more than 500 […]
The Record Is the Asset
“Get the right person in the room and they can tell you exactly where a record lives.” Adaobi Orajiaku is describing Nigeria’s National Gallery of Art. Its documentation department maintains printed and handwritten catalogues recording how each work entered the national collection. Orajiaku’s company, Atsur, has spent the past two years working with the Gallery […]
The Back of the Field
Across Buea, Lagos, Nairobi and Cairo, a running boom is exposing the hidden economics of belonging. Who pays to keep a community free, who profits when it grows, and why not one of six global brands would say what any of it is worth.
The Machine Has Started Shopping
A hotel in Dakar can lose a booking before anyone at the property knows a traveller is coming. The traveller asks an AI assistant for four nights near the water, under $250 a night, with breakfast and a cancellation policy forgiving enough to survive a changed flight. She does not compare twenty tabs, study three […]
The Game Is Already There
This conversation was recorded in mid-June, as the group stage of the World Cup was opening. Anita Asante remembers the game before it became a career. She was eleven or twelve, back in Ghana on a family visit, playing barefoot with her cousins on whatever ground was nearest, a patch of grass, a stretch of […]
The Money Is the Wrong Shape
The year Beyoncé wore her clothes, Sarah Diouf was still, in effect, her own bank. Building the label meant buying fabric before the money came back and paying tailors before the invoices settled, then finding cash for the samples, the shoots, the customs paperwork and the long quiet months between one burst of global attention […]
The Index Is the Institution
Ask a machine where to find African design and it will answer without hesitation. It returns names, a few studios, an archive or two, a marketplace. The answer arrives as though it were a window onto everything that exists. It is closer to a door that someone else hung, opening onto the rooms they chose […]