Gustavo Nazareno Has Nothing to Explain
Afro-Brazilian painter Gustavo Nazareno on Exu, Candomblé, and a practice that asks to be encountered rather than decoded — ahead of his 2026 Opera Gallery Paris show.
Inside the Most Compelling African Pavilions at the 2026 Venice Biennale
For a long time, Africa’s presence at the Venice Biennale has felt slightly out of place. Even as African artists helped shape contemporary art globally, the continent itself often seemed pushed to the margins, present but not always fully seen, its stories and forms framed through a Western lens or treated as something separate from […]
Ewuresi Archer’s Complicated Love Letter to Ghana
Before the exhibition A Love Letter With Teeth, Ewuresi Archer travelled to Busua, a fishing village in the Western Region of Ghana, where she spent an eight-week residency with Berj Gallery producing the new body of work. Her initial intention was to create works that would celebrate Ghana, a love letter to a country she […]
What the Closure of Tiwani Contemporary Reveals About the African Art Market
Tiwani Contemporary has closed after fifteen years operating between London and Lagos, marking the loss of one of the most influential mid-sized galleries working between Africa and the global art market. Founded in 2011 by Maria Varnava under the mentorship of the late Nigerian curator Bisi Silva, who proposed the name — loosely translating to […]
Huguette Tchiapi’s Debut Begins in Yaoundé
Huguette Tchiapi is continuing an existing convergence, building a fashion brand that brings together the intricacies of her Cameroonian roots and the influence of her British identity. Like most emerging designers, she is deliberate about where her ideas come from. She speaks about influence less as something simply absorbed and more as something that can […]
If This. Then That: Ceramics — Lucie Rie → Andile Dyalvane
If This. Then That: Ceramics — Lucie Rie → Andile Dyalvane Two potters, fifty years and two continents apart, both treating the surface of the vessel as something to be marked rather than smoothed. IF YOU LIKE LUCIE RIE Vienna-born, London-based. Rie threw alone from a small mews studio for nearly sixty years, raking sgraffito […]
Africa’s Largest World Cup, Mostly Watched From Home
Ghanaian fans in the stands at AFCON 2023. Photography by Nana Asomani. The visa regime that will keep most African fans out of the stadiums of the 2026 World Cup is the same one that keeps African artists out of biennials, designers out of Paris fashion weeks, and scholars out of the conferences where their […]
Understanding Bògòlanfini: The Malian Textile Written in Mud and Cotton
Bògòlanfini, the mud cloth of Mali, is one of Africa’s oldest living textile traditions. Ugonna-Ora Owoh traces its science, symbolism, and migration — from Bamana villages and the Mali Empire to Chris Seydou’s Paris ateliers and Awa Meïté’s contemporary Bamako-based practice.
What the Met’s 2026 Theme Means in an African Context, and the Designers Shaping the Narrative
As the Costume Institute prepares its “Fashion Is Art” spring exhibition, two African designers — Chelsea Jean Lamm and Sevon Dejana — make the case that the conversation has been alive on the continent all along.
The Lusaka Youth Are Building Their Own Scene
The third spaces, pop-ups, and pricing decisions behind a generation’s bid for cultural infrastructure.