The Masters Africa Can Still Afford
Ayo Adeyinka left finance to deal in modern African art. As his gallery takes Lamidi Fakeye to Frieze Masters, he makes a case for buying the continent’s masters while they remain within reach, and giving their work a life beyond private collections.
How Lusaka Moves
There is a particular way Lusaka reveals itself. You can spend an entire afternoon convinced there is nowhere to go, only to find yourself scattered around town because the errands dragged you to new places. For years, Lusaka has been described as a city of work and little play. In administration, politics, and commerce, it […]
Echoes of Pain
Echoes of Pain is a series of portraits about migration and the grief that travels with it. Made in a forest in Switzerland, it places children among the trees, weary and watchful, unsure of the way out, as a picture of the state Mike Kure calls being physically present but emotionally suspended. Kure began the […]
How Lagos Moves
There are two words I’ve long used to describe Lagos: beautiful chaos. They may read like an oxymoron, but they are the closest thing the city has to a definition. To understand Lagos, you must first allow that contradiction to settle in your mind. Only then does the city begin to reveal itself, not as […]
If This Then That: Sculpture — John Chamberlain → Gonçalo Mabunda
If you understand why John Chamberlain’s crushed cars matter, you’ll recognize what Gonçalo Mabunda built from the weapons of a war. IF YOU LIKE JOHN CHAMBERLAIN John Chamberlain transformed crushed automobiles into sculpture, showing that industrial scrap could carry the same expressive force as bronze or marble. Rather than erase the material’s past, he preserved […]
Gustavo Nazareno Has Nothing to Explain
Afro-Brazilian painter Gustavo Nazareno on Exu, Candomblé, and a practice that asks to be encountered rather than decoded — ahead of his 2026 Opera Gallery Paris show.
Inside the Most Compelling African Pavilions at the 2026 Venice Biennale
For a long time, Africa’s presence at the Venice Biennale has felt slightly out of place. Even as African artists helped shape contemporary art globally, the continent itself often seemed pushed to the margins, present but not always fully seen, its stories and forms framed through a Western lens or treated as something separate from […]
Ewuresi Archer’s Complicated Love Letter to Ghana
Before the exhibition A Love Letter With Teeth, Ewuresi Archer travelled to Busua, a fishing village in the Western Region of Ghana, where she spent an eight-week residency with Berj Gallery producing the new body of work. Her initial intention was to create works that would celebrate Ghana, a love letter to a country she […]
What the Closure of Tiwani Contemporary Reveals About the African Art Market
Tiwani Contemporary has closed after fifteen years operating between London and Lagos, marking the loss of one of the most influential mid-sized galleries working between Africa and the global art market. Founded in 2011 by Maria Varnava under the mentorship of the late Nigerian curator Bisi Silva, who proposed the name — loosely translating to […]
Huguette Tchiapi’s Debut Begins in Yaoundé
Huguette Tchiapi is continuing an existing convergence, building a fashion brand that brings together the intricacies of her Cameroonian roots and the influence of her British identity. Like most emerging designers, she is deliberate about where her ideas come from. She speaks about influence less as something simply absorbed and more as something that can […]