Subterranea
For Subterranea, Ayabukwa Magocoba went underground. The project, which she conceived, directed, styled and modelled, was shot in the limestone chambers of the Sterkfontein Caves outside Johannesburg, the UNESCO-listed site where the human record is held as both archive and origin. It is fitting ground. Magocoba is less interested in placing a body in a […]
The Money Is the Wrong Shape
The year Beyoncé wore her clothes, Sarah Diouf was still, in effect, her own bank. Building the label meant buying fabric before the money came back and paying tailors before the invoices settled, then finding cash for the samples, the shoots, the customs paperwork and the long quiet months between one burst of global attention […]
The Index Is the Institution
Ask a machine where to find African design and it will answer without hesitation. It returns names, a few studios, an archive or two, a marketplace. The answer arrives as though it were a window onto everything that exists. It is closer to a door that someone else hung, opening onto the rooms they chose […]
A Goalkeeper Went Viral. It Took a Congressman to Get His Mother to the Game
Last Monday, in the first World Cup match in Cape Verde’s history, a forty-year-old goalkeeper named Josimar Dias, known to everyone as Vozinha, faced a Spain side that produced twenty-seven attempts and still left Atlanta without a goal. Seven of those efforts forced saves, and the reigning European champions, widely expected to brush aside an […]
Marriage Was Always the Plan for These African Men. Until It Wasn’t
The average African man is often assumed to want marriage, or at least that is the expectation many grow up with. For centuries, marriage has been positioned as one of adulthood’s defining milestones, a marker of success and fulfillment against which many men are quietly measured. In many communities, that expectation begins early. Almost as […]
The Cloth That Carries the Church
In Zambia’s Catholic congregations, the chitenge carries an authority the church never put in writing.
Inside the Most Compelling African Pavilions at the 2026 Venice Biennale
For a long time, Africa’s presence at the Venice Biennale has felt slightly out of place. Even as African artists helped shape contemporary art globally, the continent itself often seemed pushed to the margins, present but not always fully seen, its stories and forms framed through a Western lens or treated as something separate from […]
What the Closure of Tiwani Contemporary Reveals About the African Art Market
Tiwani Contemporary has closed after fifteen years operating between London and Lagos, marking the loss of one of the most influential mid-sized galleries working between Africa and the global art market. Founded in 2011 by Maria Varnava under the mentorship of the late Nigerian curator Bisi Silva, who proposed the name — loosely translating to […]
The Machine Can See You. It Still Can’t Pay You.
Somewhere in a court-approved spreadsheet, nearly half a million books have become line items. Whatever a book once was in the making of it, the years of revision and abandonment and recovery before it ever reached a reader, it now exists in that file as an eligible work with a claim status, a payout estimate, […]
The Woman History Could Not Contain
More than a decade in the making, conceived by Ivor Ichikowitz and directed by the late Mandy Jacobson, a Netflix docuseries produced by Winnie Madikizela-Mandela’s granddaughters, Princess Swati Mandela-Dlamini and Princess Zaziwe Dlamini-Manaway, returns her story to the family that knew her first.