Africa’s Creative Work Is Training AI. Who Makes the Terms Count?
Over six instalments, The Sovereign Stack followed African creative work into the AI systems now being built on top of it: how it is seen, paid for, found, bought, recorded and governed. The season closes on the question beneath every one of them: who can make those systems come and ask, and who will still be there to answer?
Before the House of Vlam, Cape Town’s Queer History Made Space for Ballroom
Editor’s note: Michael van Niekerk is the Mother and founder of the House of Vlam and founder of Keep The Energy. This essay draws on his experience within Cape Town’s ballroom community alongside interviews and historical sources. Cape Town’s ballroom scene is young, but viciously resilient and viciously talented. It is a scene of houses, […]
African Art Doesn’t Need the White Cube
For centuries, African art has thrived through colour, movement and ritual. But as contemporary African galleries rethink how work is shown, the white cube is no longer the only option.
Mark Mpundu on Nshima, the Zambezi and Going Where the Locals Go
Mark Mpundu started out streaming video games from places you would not expect to find a console, and turned that instinct into a running record of Zambia in short form. Known online as @honeymarku5, he documents the places, events and everyday moments of contemporary Zambian life across Instagram and TikTok, moving between travel, lifestyle, conferences […]
The Textiles That Found Home on the Swahili Coast
Explore Swahili Coast textiles, from kanga and kikoi to kitenge and Amerikani, and how Indian Ocean trade shaped East African dress and identity.
The Protocol Is the Border
The download button is easy to find. The condition above it belongs to every person whose voice is inside the file, and it is the easiest thing on the page to miss. DhoNam is a Dholuo speech dataset stewarded by the Maseno Centre for Applied Artificial Intelligence in Kenya and hosted on Mozilla Data Collective. […]
Young African Photographers Are Looking Back
In 2024, a Nigerian hit found a second life on social media. “Who Get Dat Thing (Remix),” by Dekumzy featuring Slow Dog and Stormrex, began circulating after a group of young Nigerian women recreated the choreography to Stormrex’s verse, dressed in the exaggerated glamour of the late 1990s and early 2000s: fitted tops, low-rise bottoms, […]
How Lusaka Moves
There is a particular way Lusaka reveals itself. You can spend an entire afternoon convinced there is nowhere to go, only to find yourself scattered around town because the errands dragged you to new places. For years, Lusaka has been described as a city of work and little play. In administration, politics, and commerce, it […]
The Seedpod and the Skin
In a small room of white walls and warm wood at Singita Kruger National Park, a set of portraits hangs in quiet succession. The men in them appear faceless. Sculptural masks sit where their features should be, and the bodies beneath are still, set against open sky and water. In one, a figure in velvet […]
Before Arthur Ashe Was a Stadium, He Was a Problem for Apartheid
Every late August in New York, Arthur Ashe becomes a place. More than 23,000 people fill the stadium carrying his name. Players walk through its tunnels, and commentators use the name as geography: Night session at Ashe. Meet me outside Ashe. Fifty-three years ago, another country was trying to keep Arthur Ashe out. South Africa […]