The Africa Azzedine Alaïa Carried

Azzedine Alaïa, special creation, 1996. Bodice and belt in printed foal hide and horsehair, installation view at the Azzedine Alaïa and Africa exhibition, Paris

Azzedine Alaïa left Tunis as a young man and built his life in Paris, but the leaving was never really finished. “Azzedine Alaïa and Africa,” Olivier Saillard’s exhibition at the couturier’s foundation in the Marais, takes that unfinished departure as its subject. There are around fifty pieces, most of them from the collections Alaïa made […]

The Index Is the Institution

Designed hero graphic for The Sovereign Stack Part Three, "The Index Is the Institution," showing a 2026 timeline of AI content and provenance laws being set elsewhere — California's content-marking law, the UK's licensing-first position, and the EU AI Act on 2 August — against an empty African-governed standards track marked "No enforceable standard yet."

Ask a machine where to find African design and it will answer without hesitation. It returns names, a few studios, an archive or two, a marketplace. The answer arrives as though it were a window onto everything that exists. It is closer to a door that someone else hung, opening onto the rooms they chose […]

Love Has Become Bad Manners

Eugénie and François Odouffan and a younger couple in the living-room set of Michel Odouffan’s Generational Love

Hasna and Ryan kept giving themselves away, a shoulder leaning in, a collar fixed with a care no collar has ever needed, their bodies doing what bodies do before pride gets involved. Nobody in the room minded that the two of them wanted each other; the discomfort was that the wanting kept showing on their […]

Generational Love

Generational Love sets two couples in Michel Odouffan’s childhood living room and asks them to do the one thing we have trained ourselves out of: to be obvious about wanting each other. Against wax-print backdrops and a familiar red sofa, the newer couple lets the wanting spill over — a hand, a kiss, a head […]

La Vie Est Belle

Makhan Sakho is twenty-six, Guinean and Malian and Congolese by heritage, Parisian by address. He has worked as a model, stylist, producer, and creative director, but the camera is where his vision sits most fully. “I like when the photos speak for themselves,” he says. “The compositions, the colors, the textures — they allow us […]

Novo Atlantico

Tansi Makele is a Franco-Congolese filmmaker who grew up in the Paris suburbs and started making short documentaries at 19. His early work was mostly about dance and movement. Since then he has worked across fashion films, fiction, and experimental video. He cites Khalil Joseph, Terrence Malick, and Spike Lee as reference points, along with […]