Can a Piece of Clothing Bring You Home?
For Kimanzi, a Kenyan living in Riverside, California, home fits inside a scarf. When she left Kenya for the United States at 17, she had only two suitcases and a carry-on. Every item she packed meant another had to be left behind. Among the things she refused to leave was a kitenge scarf that had […]
Adirẹ and the Wrapper-Wearers
My relationship to adirẹ is perhaps an unusual one; it begins not with indigo, but with cassava. In 2024, I returned to Nigeria for a two-month residency with the G.A.S. Foundation to study cassava’s role and cultural significance in the country. It was the longest I had spent in the country since leaving at five […]
Aṣọ-Òkè: The Cloth We Inherit
I am standing before a portrait in Nigerian Modernism, the survey at Tate Modern. It is Akinola Lasekan’s 1957 oil of Justus D. Akeredolu. Lasekan and Akeredolu were both first-generation Nigerian modernists who once shared a studio in Lagos, and Akeredolu is remembered as the pioneer of Yoruba thorn carving, so the painter here is […]
Sanjo Lawal: Artsman the Traveler
Sanjo Lawal works between photography, creative editing, and digital painting. He renders skin in near-charcoal tones so the colors around it can sing harder. Born in Lagos in 1997 and raised in Ijebu Ode, he draws on Yoruba ceremony, the Ojude Oba festival, and the layered textiles of his mother’s wardrobe. His Artsman the Traveler […]
Who Trains the Machines That See Africa?
The Sovereign Stack
As AI becomes the infrastructure beneath culture, African creators can no longer
Why the Wrapper Remains West Africa’s Undecolonized Garment
The wrapper predates colonial borders and outlives fashion cycles. It is one of the continent’s most enduring systems, and one of the few
Three African Knowledge Systems on the Loewe Craft Prize 2026 Shortlist
The 2026 Loewe Foundation Craft Prize shortlist runs thirty finalists from nineteen countries. Three of them work with African craft traditions as method
King Charles III at Tolu Coker and the Debut of Brand63Africa at London Fashion Week
When King Charles took his front row seat at Tolu Coker’s Fall-Winter 2026 show at 180 Strand on Thursday,
The Cloth That Holds the Dead
An Egungun is not a costume. It’s a technology for making ancestors show up. Outside the communities that practice it, Egungun gets misread
Loza Maléombho and the Language of African Cosmology
The Ivorian fashion scene is vibrant and rapidly evolving, blending traditional craftsmanship with contemporary design and gaining recognition on the global stage. Among the designers