Young African Photographers Are Looking Back

Black-and-white close-up portrait of a woman in a white headwrap on a city street

In 2024, a Nigerian hit found a second life on social media. “Who Get Dat Thing (Remix),” by Dekumzy featuring Slow Dog and Stormrex, began circulating after a group of young Nigerian women recreated the choreography to Stormrex’s verse, dressed in the exaggerated glamour of the late 1990s and early 2000s: fitted tops, low-rise bottoms, […]

Before Arthur Ashe Was a Stadium, He Was a Problem for Apartheid

The author, TaNeesha Johnson, in front of the colourful 2026 US Open mural by Eugenia Mello at Flushing Meadows.

Every late August in New York, Arthur Ashe becomes a place. More than 23,000 people fill the stadium carrying his name. Players walk through its tunnels, and commentators use the name as geography: Night session at Ashe. Meet me outside Ashe. Fifty-three years ago, another country was trying to keep Arthur Ashe out. South Africa […]

Before the Album, Rapsody Went to Ghana

A profile portrait of Rapsody wearing a patterned headscarf and large hoop earrings during her trip to Ghana

Rapsody did not come to Ghana for a show. There was no tour routing to explain the visit, no announced album cycle. She came to walk the country, and she came with questions about where she was from. Amino’s 2025 film, “Rapsody in Ghana, A Conversation With Joseph Amino,” follows those questions through markets and […]

Subterranea

For Subterranea, Ayabukwa Magocoba went underground. The project, which she conceived, directed, styled and modelled, was shot in the limestone chambers of the Sterkfontein Caves outside Johannesburg, the UNESCO-listed site where the human record is held as both archive and origin. It is fitting ground. Magocoba is less interested in placing a body in a […]

The Index Is the Institution

Designed hero graphic for The Sovereign Stack Part Three, "The Index Is the Institution," showing a 2026 timeline of AI content and provenance laws being set elsewhere — California's content-marking law, the UK's licensing-first position, and the EU AI Act on 2 August — against an empty African-governed standards track marked "No enforceable standard yet."

Ask a machine where to find African design and it will answer without hesitation. It returns names, a few studios, an archive or two, a marketplace. The answer arrives as though it were a window onto everything that exists. It is closer to a door that someone else hung, opening onto the rooms they chose […]