Who Made the Welcome

The lion began with a schoolgirl’s drawing. Ndeye Mariama Diop drew the character selected through a national school competition. A second student, Ndeye Khady Kristall Coumbassa, supplied its name. Together their contributions became Ayo, the mascot of the Dakar 2026 Youth Olympic Games. Senegal’s education authorities credit them both. The ministry reports more than 500 […]
From Korhogo Cloth to Digital Print: Alia Baré and the Language of Senufo Textiles

The garments in Alia Baré’s SS26 collection move the way the cloth that inspired them never could. Stylised birds, animals, human figures and hatched borders travel across dresses cut long and light, in a fabric made to drape and follow the body. The imagery is Senufo. The fabric carrying it is not. The Korhogo cloth […]
City Codes: Dakar Is Not a Trend

Dakar is forever being discovered as an emerging creative capital, yet its fashion week dates to 2002 and its first world festival of Black arts to 1966. Treating the city as a trend rather than a working system carries a real cost.
What Dakar Built

Adama Paris has spent a quarter of a century taking Dakar Fashion Week out of rooms. The Medina show runs on a street closed for the night. It is free, there is no list, and residents watch from doorways and from the ledges of their own roofs while models pass close enough to touch. There […]
Gora and Fadel
Gora and Fadel is a portrait of chosen brotherhood, made at Lac Rose outside Dakar by photographer Morgane H. Gomez and director Tansi Makele. Its subjects are Gora and Fadel Gningue, two young Senegalese designers, stylists and models whose bond is a matter of heart rather than blood. Shot on Kodak Portra 400 across the […]
Dakar Coast
Dakar Coast is a fashion series made across a single day on the Senegalese coast by Paris-based art director and stylist Romain Antonini and photographer Khaled Fhemy Mamah, with model Pape Diouf. It takes the ordinary traffic of that coastline and dresses it: the fishermen and their pirogues, the roasted peanut seller, the beignet seller, […]
The Machine Has Started Shopping

A hotel in Dakar can lose a booking before anyone at the property knows a traveller is coming. The traveller asks an AI assistant for four nights near the water, under $250 a night, with breakfast and a cancellation policy forgiving enough to survive a changed flight. She does not compare twenty tabs, study three […]
Francis Kéré Builds the Goethe-Institut Dakar from the Ground Up

In Dakar, a new cultural landmark is rising from the soil. Designed by Pritzker Prize–winning architect Diébédo Francis Kéré, the new Goethe-Institut Senegal turns earth, memory, and craftsmanship toward a new era of African architectural possibility. In Dakar’s Fann neighbourhood, a baobab tree stands at the centre of a building that appears to have grown […]
The Money Is the Wrong Shape

The year Beyoncé wore her clothes, Sarah Diouf was still, in effect, her own bank. Building the label meant buying fabric before the money came back and paying tailors before the invoices settled, then finding cash for the samples, the shoots, the customs paperwork and the long quiet months between one burst of global attention […]
At MoMA, a New Exhibition Celebrates West Africa’s Modernist Architectural Legacy

In 1960, 17 African countries gained independence in what became known as the “Year of Africa.” For many of these newly sovereign nations, political freedom was only the beginning. They were confronted with what an independent African nation actually looked like, a question that stretched beyond governance and infrastructure into the continent’s creative life: art, […]