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At 1-54 London, African Modernism Gets a Dedicated Section

A Gift of Nativity, an oil painting on Masonite made around 1960 by the Tanzanian artist Sam Joseph Ntiro.

It is the 14th edition of 1-54 Contemporary African Art Fair, which runs at Somerset House from 15 to 18 October, and this year its modernist spotlight features familiar names: Gerard Sekoto, Skunder Boghossian, Papa Ibra Tall and Ibrahim El-Salahi, among others. This is not the first time 1-54 has featured modernist African artists, but […]

Dede Arisekola Is Building a World of Her Own

Holy One look with a layered multicoloured hat and fringed headwear

Most designers at the start of their careers arrive with something to say. Dede Arisekola is charting a less familiar course, guided by a question: “What if the things we inherit were only the beginning of what we could become?” The Irish-born Nigerian designer is interested in the societal expectations woven into the clothes we […]

Mark Mpundu on Nshima, the Zambezi and Going Where the Locals Go

Craft stalls inside the Livingstone Cultural Market, Zambia

Mark Mpundu started out streaming video games from places you would not expect to find a console, and turned that instinct into a running record of Zambia in short form. Known online as @honeymarku5, he documents the places, events and everyday moments of contemporary Zambian life across Instagram and TikTok, moving between travel, lifestyle, conferences […]

The Art of African Braiding, Through the Eyes of Gen Z

Marianne Costade wearing a tall, open lattice hairstyle made with African hair threading.

In many African cultures, hair can carry stories from one generation to another. Through braiding and threading techniques, a simple change in appearance can become meaningful, representing different statuses and stages across an individual’s lifespan. Hair traditions were therefore fundamental to a community’s identity, often signifying the crown of its kinship and the core of […]

Filhas do Barro / Daughters of Clay

A group of women potters in a whitewashed workshop on Santiago, Cape Verde, some seated beside low wooden turntables, in a still from Filhas do Barro.

On Santiago, Cape Verde, seven women potters speak of the livelihoods they have built in clay and the knowledge they will leave to their daughters. “Clay has been my source of livelihood,” one of the women says early in Filhas do Barro. “Ever since I started working alongside my mother, clay has been my school.” […]