How DJs Helped Take Afrobeats Global
Trill Xoe, a Lagos-raised DJ and producer who studied in Mauritius and has worked with Native Records, remembers hearing Afrobeats there, thousands of miles from home. Hearing the sound playing loudly from a DJ set felt like more than a surprise. “Just being in a foreign man’s land where they don’t speak English, and just […]
What the BBC’s Documentary Left Out About the Nigerian Civil War
On 1 June 2026, the BBC released a documentary on the Nigerian civil war titled Surviving Biafra: Voices from the Nigerian Civil War, an exploration of the 30-month war fought from July 1967 to January 1970, following the declaration of independence by the secessionist state of Biafra in the eastern part of Nigeria. This secession […]
Adirẹ and the Wrapper-Wearers
My relationship to adirẹ is perhaps an unusual one; it begins not with indigo, but with cassava. In 2024, I returned to Nigeria for a two-month residency with the G.A.S. Foundation to study cassava’s role and cultural significance in the country. It was the longest I had spent in the country since leaving at five […]
How Lagos Moves
There are two words I’ve long used to describe Lagos: beautiful chaos. They may read like an oxymoron, but they are the closest thing the city has to a definition. To understand Lagos, you must first allow that contradiction to settle in your mind. Only then does the city begin to reveal itself, not as […]
The Machine Has Started Shopping
A hotel in Dakar can lose a booking before anyone at the property knows a traveller is coming. The traveller asks an AI assistant for four nights near the water, under $250 a night, with breakfast and a cancellation policy forgiving enough to survive a changed flight. She does not compare twenty tabs, study three […]
How Nigeria Was Everywhere and Nowhere at the World Cup
Where the 2026 World Cup rank in recent history is discourse for another time, there’s no doubt that it has uniquely taken its place as a cultural tentpole. A reason for this? The host nations, particularly the United States, which, months before the tournament kicked off, was speculatively doomed because of anti-immigration sentiments, ICE crackdowns, […]
The Money Is the Wrong Shape
The year Beyoncé wore her clothes, Sarah Diouf was still, in effect, her own bank. Building the label meant buying fabric before the money came back and paying tailors before the invoices settled, then finding cash for the samples, the shoots, the customs paperwork and the long quiet months between one burst of global attention […]
The Index Is the Institution
Ask a machine where to find African design and it will answer without hesitation. It returns names, a few studios, an archive or two, a marketplace. The answer arrives as though it were a window onto everything that exists. It is closer to a door that someone else hung, opening onto the rooms they chose […]
Aṣọ-Òkè: The Cloth We Inherit
I am standing before a portrait in Nigerian Modernism, the survey at Tate Modern. It is Akinola Lasekan’s 1957 oil of Justus D. Akeredolu. Lasekan and Akeredolu were both first-generation Nigerian modernists who once shared a studio in Lagos, and Akeredolu is remembered as the pioneer of Yoruba thorn carving, so the painter here is […]
What the Closure of Tiwani Contemporary Reveals About the African Art Market
Tiwani Contemporary has closed after fifteen years operating between London and Lagos, marking the loss of one of the most influential mid-sized galleries working between Africa and the global art market. Founded in 2011 by Maria Varnava under the mentorship of the late Nigerian curator Bisi Silva, who proposed the name — loosely translating to […]