The Africa Azzedine Alaïa Carried

Azzedine Alaïa, special creation, 1996. Bodice and belt in printed foal hide and horsehair, installation view at the Azzedine Alaïa and Africa exhibition, Paris

Azzedine Alaïa left Tunis as a young man and built his life in Paris, but the leaving was never really finished. “Azzedine Alaïa and Africa,” Olivier Saillard’s exhibition at the couturier’s foundation in the Marais, takes that unfinished departure as its subject. There are around fifty pieces, most of them from the collections Alaïa made […]

Aṣọ-Òkè: The Cloth We Inherit

Akinola Lasekan's 1957 oil portrait of Chief Justus D. Akeredolu in a red striped aṣọ-òkè agbada, patterned fila cap and coral beads

I am standing before a portrait in Nigerian Modernism, the survey at Tate Modern. It is Akinola Lasekan’s 1957 oil of Justus D. Akeredolu. Lasekan and Akeredolu were both first-generation Nigerian modernists who once shared a studio in Lagos, and Akeredolu is remembered as the pioneer of Yoruba thorn carving, so the painter here is […]