From Korhogo Cloth to Digital Print: Alia Baré and the Language of Senufo Textiles
The garments in Alia Baré’s SS26 collection move the way the cloth that inspired them never could. Stylised birds, animals, human figures and hatched borders travel across dresses cut long and light, in a fabric made to drape and follow the body. The imagery is Senufo. The fabric carrying it is not. The Korhogo cloth […]
Kente and the Politics of Being Read
On June 8, 2020, a group of Democratic lawmakers knelt on the floor of the United States Capitol for eight minutes and forty-six seconds, the duration then believed to mark how long a Minneapolis officer had knelt on George Floyd’s neck, later revised at trial to nine minutes and twenty-nine seconds. Several of them wore […]
Understanding Bògòlanfini: The Malian Textile Written in Mud and Cotton
Bògòlanfini, the mud cloth of Mali, is one of Africa’s oldest living textile traditions. Ugonna-Ora Owoh traces its science, symbolism, and migration — from Bamana villages and the Mali Empire to Chris Seydou’s Paris ateliers and Awa Meïté’s contemporary Bamako-based practice.
Guinea: A Textile Civilization in Four Systems
Guinea: A Textile Civilization in Four Systems By Mariama Camara & Oury Sene King of Kindia, c.1910, with two wives in Basse-Guinée textiles (tie-dye, weaving, embroidery). Courtesy of Duncan Clarke, antique postcard and African textile dealer. Guinea, officially the Republic of Guinea, is rarely understood through its material systems. It is more often described through […]
Material Literacy: The Knowledge in Cloth
Mariama Camara on authorship, ownership, and the distance between admiration and accountability.