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Aṣọ-Òkè: The Cloth We Inherit

Akinola Lasekan's 1957 oil portrait of Chief Justus D. Akeredolu in a red striped aṣọ-òkè agbada, patterned fila cap and coral beads

I am standing before a portrait in Nigerian Modernism, the survey at Tate Modern. It is Akinola Lasekan’s 1957 oil of Justus D. Akeredolu. Lasekan and Akeredolu were both first-generation Nigerian modernists who once shared a studio in Lagos, and Akeredolu is remembered as the pioneer of Yoruba thorn carving, so the painter here is […]

What the Closure of Tiwani Contemporary Reveals About the African Art Market

Evening view of the Tiwani Contemporary gallery storefront in London, visitors gathered inside among paintings during an exhibition opening

Tiwani Contemporary has closed after fifteen years operating between London and Lagos, marking the loss of one of the most influential mid-sized galleries working between Africa and the global art market. Founded in 2011 by Maria Varnava under the mentorship of the late Nigerian curator Bisi Silva, who proposed the name — loosely translating to […]