The Image Belongs to Us

Sope Dirisu as Folarin walks a red dirt road holding hands with his two sons in My Father's Shadow, directed by Akinola Davies Jr

There’s a moment early in My Father’s Shadow where Lagos doesn’t announce itself. It just… is. A street. The quality of afternoon light on a wall you’ve definitely seen before. Children doing the specific nothing that children do in cities that haven’t been built for spectacle. I was in Cannes when I first saw it […]