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Little Lagos in London: Adisa Olashile Captures Nigeria’s Spirit in Peckham

Little Lagos in London: Adisa Olashile Captures Nigeria’s Spirit in Peckham 2478FAAE 41B5 416D BCFE FB1D86ACFE1D

On a Saturday afternoon in Peckham, South London, Rye Lane feels like Lagos stretched across the Atlantic. Yoruba greetings ripple through the air, suya smoke drifts past the scent of jollof rice, and Ankara fabrics streak the crowd in bursts of color. This is “Little Lagos” in London, where the Nigerian community has made its […]

Echoes of Pain: Mike Kure’s Photography of Migration and Longing

Portrait of a woman in a sleeveless brown dress standing amid dense green foliage.

What does it mean to feel displaced, to long for home even when it’s far away? For photographer Mike Kure, the answer lies in the eyes of children who carry the weight of lost faith but still harbor hope that tomorrow might bring better opportunities. Working predominantly in dark tones and black and white, Mike’s […]

Continental Swagger: African Fashion Design in the 21st Century – Post-Panel Reflections

Continental Swagger: African Fashion Design in the 21st Century – Post-Panel Reflections IMG 7509 2

Yesterday’s Continental Swagger panel, presented by The Met’s Costume Institute, brought together three uncompromising voices — Adeju Thompson (Lagos Space Programme, Nigeria), Wanda Lephoto (South Africa), and Imane Ayissi (Cameroon/France) for an unflinching, deeply personal conversation on heritage, innovation, and the politics of where a designer chooses to stand. Moderated by Monica L. Miller, Guest […]

Modou Gueye: The Mats of My Childhood as Diasporic Ritual and Visual Reclamation

Modou Gueye: The Mats of My Childhood as Diasporic Ritual and Visual Reclamation 1

Some artists paint what they see. Modou Gueye paints what stays with him. Born in 1990 in Pikine, Senegal, and now living between Dakar and Barcelona, Gueye creates from a place where memory meets ritual, and where the ordinary is reborn as sacred. His work doesn’t seek to explain, it seeks to remember. Not with […]